Bach: Sonata for Violin and Piano in G major, BWV 1019 | Frank Peter Zim...

The Sonata in G major, BWV 1019, is the crowning finale of “Sei Sounate à Cembalo certato è Violino Solo,” as the six sonatas for violin and piano by Johann Sebastian Bach (1685 – 1750) were called in the earliest authenticated sources. In this recording, Frank Peter Zimmermann (violin) and Enrico Pace (piano) play the piece in the impressive Baroque setting of Polling Monastery’s over 300-year-old library, in the year 2008. Bach composed his six sonatas during his time in Weimar and Köthen (1708 - 1723). They are considered the first violin sonatas in the history of music in which the keyboard instrument does not merely provide chordal accompaniment, but functions as an equal partner to the violin. After five Sonatas in the traditional four movement form, Bach composed the Sonata in G major, BWV 1019, to have five movements, which at the time was a completely new experiment. He composed the central, third movement for just the harpsichord or piano. After 22 movements of musical interplay with the violin, Bach, as a harpsichordist, likely wanted to let off some steam for his instrument alone. German violinist Frank Peter Zimmerman is one of the world’s greatest violinists. His numerous recordings have seen him receive countless prizes. Italian pianist Enrico Pace has accompanied Zimmerman on the piano since 1998. Together, they here play the sixth of Johann Sebastian Bach’s sonatas, originally composed for violin and harpsichord. (00:00) Johann Sebastian Bach: Sonata for Violin and Piano in G major, BWV 1019 (00:31) I. Allegro (03:40) II. Largo (05:44) III. Allegro (10:29) IV. Adagio (14:56) V. Allegro

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WERTHER Massenet – Opéra Orchestre National Montpellier

Charlotte only married Albert out of duty but continues to love Werther without admitting it to herself and even less to him. The young man despairs at seeing his advances rejected and will not taste the love that the young woman comes to confess too late. Adapted from Goethe's novel, Jules Massenet's opera Werther is a jewel of French lyric repertoire. Opéra Orchestre National Montpellier Occitanie shares the sober and elegant staging by Bruno Ravella – his Rosenkavalier was recently enjoyed on OperaVision – and invites the famous Canadian contralto Marie-Nicole Lemieux to sing Charlotte for the first time, alongside a young and almost exclusively French-speaking cast conducted by Jean-Marie Zietouni. Streamed on OperaVision on 24 December 2021 at 19:00 CET and available until 24 June 2022: https://operavision.eu/en/library/per... CAST Werther: Mario Chang Charlotte: Marie-Nicole Lemieux Albert: Jérôme Boutillier Le Bailli: Julien Véronèse Sophie: Pauline Texier Schmidt: Yoann Le Lan Johann: Matthias Jacquot Kätchen: Emma de La Selle Brühlmann: Léo Thiéry Maid: Lisa Martin Children: Gabriel Bertrand, Marina Gallant, Charlotte Gleize, Naomi Renoir, Brunelle Sauvegrain, Nina Sauvegrain Chorus: Chœur Dames Opéra national Montpellier Occitanie Orchestra: Orchestre national Montpellier Occitanie Music: Jules Massenet Text: Édouard Blau, Paul Milliet, Georges Hartmann Conductor: Jean-Marie Zeitouni Director: José Darío Innella, original staging by Bruno Ravella Set Designer: Leslie Travers Costume Designer: Leslie Travers Lighting Designer: Linus Fellbom Stage director assistant: Diane Clément Production manager: Xavier Bouchon Stage managers: Mireille Jouve, Anaïs Pélaquier Chorus manager: Maya Lehec