El humorista venezolano Claudio Nazoa presenta ‘La nueva cepa’ en París

Arvo Pärt: Da Pacem (full album)

Arvo Pärt: Da Pacem (full album). Nulle volonté d'illustration dans le choix de ces images, juste celle d'évoquer le mouvement et l'enchevêtrement des voix, les sonorités de l'orgue, la mise en espace du son... Je reprendrai encore ses quelques vers issus du poème "Correspondances" de Charles Baudelaire (Le Fleurs du mal) La Nature est un temple où de vivants piliers Laissent parfois sortir de confuses paroles ; L'homme y passe à travers des forêts de symboles Qui l'observent avec des regards familiers. Comme de longs échos qui de loin se confondent Dans une ténébreuse et profonde unité, Vaste comme la nuit et comme la clarté, Les parfums, les couleurs et les sons se répondent. [...] Chacun est libre de voir ce qu'il désire, narquois, je rajouterai les mots du capitaine Nemo dans l'Île mystérieuse: "cherchez, et vous trouverez."..

Beethoven: Piano Concerto No. 1 | Margarita Höhenrieder, Staatskapelle D...

Piano Concerto No. 1 in C major by Ludwig van Beethoven is Beethoven for piano virtuosos. Margarita Höhenrieder shines on the piano, accompanied by the Sächsische Staatskapelle Dresden conducted by Fabio Luisi. The concert took place in 2008 at the Philharmonie im Gasteig Munich. (00:00) I. Allegro con brio (18:39) II Largo (29:50) III Rondo: Allegro scherzando Ludwig van Beethoven (1770 - 1827) wrote seven piano concertos, five of which are numbered as opuses. The Piano Concerto in C major, Op. 15 is known as Piano Concerto No. 1, even though it was not the first concerto for piano that Beethoven wrote. First drafts for the Piano Concerto in C major date from 1793, a first complete transcription was available in late 1794 or early 1795, a new score existed before 1800 and finally the print appeared in 1801 after the solo part had been rewritten a second time. Beethoven probably performed an early version of the C major concerto himself in Vienna in 1795, where he is also thought to have performed a later version for the first time in 1800. Beethoven initially wrote his piano concertos primarily for himself. As a piano virtuoso, he wanted to show off his skills to an audience with the solo concertos; he was, after all, famous for his brilliant improvisations on the popular instrument. There are similarities between the Piano Concerto in C major and Symphony No. 1, not only with respect to the period in which they were composed. In both works, the young Beethoven’s knack of bringing forth the most diverse musical emotions from a simple thematic idea is already evident. And both works are characterized by a festive tone in which virtuosity is celebrated to the highest degree.

Audiencia General 08 de junio de 2022 Papa Francisco