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lunes, 10 de enero de 2022

Así Fue la Tensa Reunión entre Rommel y Hitler tras el Desembarco Aliado... Un general que siempre he tenido admiración en lo militar por él y que se enfrento a Hitler y este hizo que se envenenara jl

¿Conoces la acalorada reunión que tuvieron Hitler, Rommel y Rundstedt el 17 de junio de 1944? ¿Sabes cuáles son los planes que tenía Rommel para vencer a los Aliados en Normandía después de la invasión? ¿Sabías que estuvieron a punto de morir todos por una V1 que se desvió de su ruta? A continuación en este programa vamos a analizar todos los detalles de esta reunión y cuál fue el planteamiento de cada uno de ellos. Veremos además el papel que jugaron las nuevas armas milagrosas que se estaban desarrollando.

Aurora Borealis / Northern Lights LIVE HIGHLIGHTS!

These are the highlights from the live stream northern lights camera. If you don't have the patience to watch the live stream and wait for the aurora to show up, you can get your green fix here :)

Mendelssohn: Aria & Chorus from Elijah | Nancy Argenta and Herbert Bloms...

The aria Hear Ye, Israel and the chorus Be Not Afraid from the oratorio Elijah, Op. 70 (MWV A 25) by Felix Mendelssohn Bartholdy are performed by Nancy Argenta (soprano), the Gewandhaus Choir and the Leipzig Gewandhaus Orchestra conducted by Herbert Blomstedt. These two gems from Mendelssohn's Elijah (German: Elias) were part of a memorial concert in 1999 at St. Nicholas Church in Leipzig. Felix Mendelssohn Bartholdy Two excerpts from Elijah (Elias): (00:00) XXI. Aria: Hear Ye, Israel! (Höre, Israel, höre des Herrn Stimme!) (05:52) XXII. Chorus: Be Not Afraid, saith God the Lord (Fürchte dich nicht, spricht unser Gott) Nancy Argenta, soprano Gewandhaus Choir Leipzig Gewandhaus Orchestra Herbert Blomstedt, conductor St. Nicholas Church in Leipzig, 1999 Felix Mendelssohn Bartholdy (1809 - 1847) had already planned to compose an oratorio on Elijah, the great prophet from the Old Testament, in 1836. However, this project was only completed after Mendelssohn received an invitation in the summer of 1845 to compose a new oratorio for the Birmingham Triennial Music Festival. The score was not completed until mid-August 1846, and the first performance took place a good two weeks later under the baton of the composer himself. It was one of his greatest triumphs. However, only a few days later he began to rewrite the hastily completed work. The two excerpts chosen for this concert follow each other at the beginning of Part 2 in the Elijah oratorio. The three-part soprano aria Hear Ye, Israel, which is one of the most appealing pieces of the great oratorio, exhorts people to believe and invokes trust in God. Together with the choir's Be not Afraid, this creates a unity of meaning that is directly linked to the occasion of the concert: The performance took place at a commemorative concert held on October 9, 1999, exactly ten years after the Monday Demonstration, when on October 9, 1989, some 70,000 citizens overcame their fear of the authoritarian regime to demonstrate for freedom and democracy in Leipzig – the second largest city in the former East Germany. The peaceful, large-scale demonstration is considered a key historical moment which, in combination with other events, led to the fall of the Wall a month later, on November 9, 1989.

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