Nucleares sí, nucleares no

https://www.larazon.es/sociedad/20220219/wvsam7aecbdifpwg766v7rsaca.html

  Yo a veces pienso qué los demás no piensan. En la parte qué vivo ahora, en Bélgica estoy rodeado por dos centrales nucleares y estoy vivito y coleando. Estamos pagando los españoles el frenazo qué se hizo en su día a las nucleares. Queremos poner freno al efecto invernadero qué puede ser quizás más peligroso qué el nuclear. 

Es un artículo de jl

ALCINA Handel – Opera North

Told with some of Handel’s most delightful music, Alcina is the story of an enchantress who uses her magical powers to bewitch the young knight Ruggiero and keep him captive on her island. On Alcina’s island nothing is as it seems. Alcina (soprano Máire Flavin) is an enchantress who transforms her discarded lovers into non-human form, and her island is a barren wasteland whose apparent beauty is maintained only by her powers of illusion. When Bradamante (mezzo-soprano Mari Askvik) arrives on the island in disguise intent on reclaiming her fiance Ruggiero (countertenor Patrick Terry), Alcina’s magic is tested to breaking point. Directed by Tim Albery, Opera North’s new production challenges the historical conventions of women playing male roles and plays with gender fluidity. Designer Hannah Clark has stepped up to a different, environmental challenge; to make a production in which nothing that appears on stage is newly purchased. Baroque specialist Laurence Cummings conducts Handel’s wondrous music, overseeing the proceedings in this troubled (but sustainable) island paradise. Streamed LIVE on OperaVision on 17 February 2022 at 20:00 CET and available until 17 August 2022:

El cantante Tomas Jimenez​ de El Comunero con Jordi Batalle​ en El invit...

Tomas Jimenez​ fundador del grupo francés El Comunero (chants de lutte de la republique espagnole)​ ha estado con Jordi Batalle​ en El invitado de RFI​ para presentar su nuevo disco Son de la barricada.

Corelli: Concerti Grossi Op. 6

This complete set of 12 lively concerti is played by the Dutch ensemble Musica Amphion on period instruments. Its founder Pieter-Jan Belder conducts from the harpsichord. This recording is of exceptional quality. Composer: Arcangelo Corelli Artists: Musica Amphion & Pieter-Jan Belder (harpsichord and concert master) 🎵 Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer): https://brilliant-classics.lnk.to/Cor... 💎 More Information: https://www.brilliantclassics.com/art... 🎬🎮 Our music is available for sync licensing in videos, films, tv-shows, games, advertising and more. For more information and to request a license go to: https://www.brilliantclassicslicensin... Arcangelo Corelli (1653–1713) was nothing less than a musical pioneer, a champion of the violin’s potential as a solo instrument and an immense influence on the composers who followed him, J.S. Bach and Handel included. As a virtuoso violinist, he wielded an unprecedented level of skill; as a composer, he was enormously popular throughout Europe. Although the Italian composer’s legacy has been somewhat overshadowed in modern times, the 12 Concerti Grossi that comprise this recording are thoroughly worthy of rediscovery, and earned Corelli the description of ‘father of the concerto grosso’. Indeed, he was one of the first composers to use the term, and established many of the genre’s recognisable features. The mixture of concerti da chiesa (church concertos, which alternate slow and fast tempi) and concerti da camera (chamber concertos, similar to the dance suite) demonstrates the imagination, innovation and versatility that his fellow composers so admired. Although the vast popularity that Corelli enjoyed in his lifetime may have declined over the centuries, the influence of his 12 Concerti Grossi is undeniable, and can be felt in later concertos by composers like Geminiani and Vivaldi, not to mention Handel’s majestic Concerti Grossi Op.6. Drawn from Brilliant Classics’ criticallyacclaimed edition of Corelli’s complete works, there is much for listeners to discover and enjoy in these recordings, which feature outstanding readings by a leading period-instrument ensemble, Musica Amphion, led from the harpsichord by Pieter-Jan Belder.