Charlie Chaplin - The Great Dictator - Barber Shop Scene (Brahms’ Hungar...

La Enseñanza mas bonita 👏de Jesús de Nazareth que cambiara tu vida por C...

La Enseñanza mas bonita de Jesús de Nazareth que cambiara tu vida por Completo🙌❤ QUE DIOS LES BENDIGA HERMANOS

Tchaikovsky: Swan Lake, Op. 20 | Kirov Ballet, 1990 (Choreography: Mariu...

Swan Lake by Pyotr Ilyich Tchaikovsky (1840 - 1893) is one of the most famous ballets ever. Composed in 1875/76 and premiered in 1877 at the Bolshoi Theatre in Moscow, Swan Lake is still part of the standard repertoire of classical ballet companies today. The production of the ballet classic performed by Marius Petipa and Lev Ivanov in 1895 at the Mariinsky Theatre in Saint Petersburg had a great influence all subsequent performances of Swan Lake. This video shows the classic Kirov production by Oleg Vinogradov, based on the choreography by Marius Petipa and Lev Ivanov at the Kirov Theater in Leningrad from 1990 – as a television production without an audience. It contains neither scene applause nor the long shot of the stage that is usual in live footage. Rather, in addition to overall views, there are many close-ups of individual dancers or small groups of dancers. This version includes the court jester character and has a happy ending: Siegfried fights with von Rothbart, defeats the evil magician, and is reunited with Odette at the end. The Kirov Ballet, Leningrad Artistic director - Oleg Vinogradov Choreography - Marius Petipa, Lev Ivanov In a version by Konstantin Sergeyev Kirov Theatre Orchestra Viktor Fedotov - conductor Kirov Theatre Leningrad, December 1990 Cast of dancers: Odette / Odile - Yulia Makhalina Prince Siegfried - Igor Zelensky The Princess Regent, Siegfried's mother - Angelina Kashirina Rothbart, an evil magician - Eldar Aliyev Court Jester - Yuri Fateyev The Prince's friends - Larissa Lezhnina, Veronika Ivanova The Prince's tutor - Vladimir Silakov Cygnets - Natalia Pavlova, Elvira Krylova, Maya Baturina, Veronika Ivanova Four swans - Galina Yablonskaya, Anna Polikarpova, Tatiana Rusanova, Galina Rakhmanova Two swans - Irina Sitnikova, Olga Volobuyeva Spanish Dance - Yelena Sherstynyova, Vladimir Kolesnikov, Natalya Kopyseva, Maxim Piskevich Neapolitan Dance - Irina Guseva, Andrei Garbuz Hungarian Dance / Czardas - Galina Zakrutkina, Andrei Yakovlev Mazurka - Yelena Bazhenova, Andrei Bugayev, Marina Abdullayeva, Pyotr Stasyunas, Viktoria Lebedeva, Vyacheslav Khomyakov, Nina Borchenko, Gennady Babanin Structure: Act I / Scene 1: A park near Prince Siegfried's castle (00:00) Introduction: Moderato assai – Allegro non troppo – Tempo I (02:36) Scene: Allegro giusto (05:48) Waltz: Tempo di valse (11:38) Scene: Allegro moderato (15:24) Pas de trois (23:38) Pas d'action: Andantio quasi moderato - Allegro (25:11) Dance with goblets: Tempo di polacca (28:25) Scene: Moderato (swan theme) Act I / Scene 2: Beside a lake (30:35) Scene: Moderato (swan theme) (33:13) Scene: Allegro moderato, Moderato, Allegro vivo (37:46) Scene: Allegro, Moderato assai quasi andante (41:42) Dances of the swans (53:34) Dance of the little swans (1:01:44) Scene: Moderato (swan theme) Act II: The ballroom in Siegfried's castle (1:03:38) Scene: March - Allegro giusto (1:06:17) Ballabile: Dance of the corps de ballet and the dwarves: Moderato assai, Allegro vivo (1:07:52) Entrance of the guests and Waltz: Allegro, Tempo di valse (1:12:00) Scene: Allegro, Allegro giusto (1:13:43) Spanish Dance: Allegro non troppo (Tempo di bolero) (1:15:42) Neapolitan Dance: Allegro moderato, Andantino quasi moderato, Presto (1:17:34) Hungarian Dance: Czardas - Moderato assai, Allegro moderato, Vivace (1:20:16) Mazurka: Tempo di mazurka (1:23:10) Grand Pas d'action (The black swan Pas de deux) (1:34:24) Scene: Allegro, Tempo di valse, Allegro vivo (swan theme) Act III: Beside the lake (1:36:24) Entr'acte: Moderato (1:38:52) Valse des cygnes (Waltz for white and black swans) (1:44:06) Scene: Allegro agitato, Molto meno mosso, Allegro vivace (1:47:33) Scene finale: Andante (1:48:41) Scene Dansante (1:52:41) Scene finale: Allegro, Alla breve, Moderato e maestoso, Moderato (swan theme) (1:57:02) Credits (swan theme)

Rome, Italy 🇮🇹 - Christmas Walk 🎅- December 2021 - 4K-HDR Walking Tour (...

Rome is my favorite city in the world. Why? Because it’s the perfect blend of history and the modern world. It has it all- beautiful historical sites, amazing shops and of course; the perfect pizzas ever. So here’s my experience of Rome and why it’s soo awesome: 1) The people Italian hospitality is unbeatable. The Italians treat you like long lost buddies right from the moment you first meet. The hotel staff are extra nice and attend to your complaints within seconds. But the best about Italians is the way they speak. Their language comes out like a sweet song. It so adorbs that I wouldn’t be able to guess even if they were swearing at me. 2) The food If you think you have eaten the best Italian food ever in your own countries, you’re gravely mistaken my friend. The best Italian food comes from the source…which would be Italy in this case (well obviously). These Italian restaurants/cafe’s serve the most scrumptious ravioli, epic mouth-watering risottos and pizzas to die for. I would make a trip back to Rome simply for the food if I could. 3) The historical significance Rome’s history is divided into two parts. The Roman Empire and Medieval history. The architecture of each era is spread out into two distinct areas. The walk to the Colosseum is one of the most enchanting walks I have ever taken. There are ancient relics on either side of the pathway adding to the charm. The Medieval historical sites give off a very “Game of Thrones” vibe. 4) The Vatican This mini-city on its own would make a trip to Rome worth-it. The Vatican some of the most beautiful frescos ever in the Sistine Chapel. You will find hundreds of tour guides right outside the Vatican who will give you a tour of the church and museum. Just make sure that you don’t get ripped off! 5) The shopping Milan is technically a major fashion capital but Rome isn’t far behind. The shopping here is marvelous from boutique brands to mainstream brands. There’s a Zara store that’s four stories high (I spent around two hours there I think). After a day of hard-core shopping you can relax in a nice spot, having street-made square pizzas and watch the sun setting over the beautiful historical ruins. Bliss! Fun Fact: The Trevi Fountain– a must see site- has magical powers. Apparently whoever puts a coin in there is sure to come back to Rome one day. My mom put the coin twice and has visited Rome twice ever since. I put it as well and I sure do hope to go again someday! ***This Video Vlog is Made to show the city and the environment, if you are present on this video and you don't want to be please contact me or comment on this video and i will remove you completely & immediately ***

Audiencia General 29 de diciembre de 2021 Papa Francisco

Bach: Sonata for Violin and Piano in G major, BWV 1019 | Frank Peter Zim...

The Sonata in G major, BWV 1019, is the crowning finale of “Sei Sounate à Cembalo certato è Violino Solo,” as the six sonatas for violin and piano by Johann Sebastian Bach (1685 – 1750) were called in the earliest authenticated sources. In this recording, Frank Peter Zimmermann (violin) and Enrico Pace (piano) play the piece in the impressive Baroque setting of Polling Monastery’s over 300-year-old library, in the year 2008. Bach composed his six sonatas during his time in Weimar and Köthen (1708 - 1723). They are considered the first violin sonatas in the history of music in which the keyboard instrument does not merely provide chordal accompaniment, but functions as an equal partner to the violin. After five Sonatas in the traditional four movement form, Bach composed the Sonata in G major, BWV 1019, to have five movements, which at the time was a completely new experiment. He composed the central, third movement for just the harpsichord or piano. After 22 movements of musical interplay with the violin, Bach, as a harpsichordist, likely wanted to let off some steam for his instrument alone. German violinist Frank Peter Zimmerman is one of the world’s greatest violinists. His numerous recordings have seen him receive countless prizes. Italian pianist Enrico Pace has accompanied Zimmerman on the piano since 1998. Together, they here play the sixth of Johann Sebastian Bach’s sonatas, originally composed for violin and harpsichord. (00:00) Johann Sebastian Bach: Sonata for Violin and Piano in G major, BWV 1019 (00:31) I. Allegro (03:40) II. Largo (05:44) III. Allegro (10:29) IV. Adagio (14:56) V. Allegro

TODO sobre el Telescopio Espacial JAMES WEBB | Desde 1996 hasta su lanza...

Charlie Chaplin - Oh, Cruel Fate - Clip from Sunnyside (1919)

WERTHER Massenet – Opéra Orchestre National Montpellier

Charlotte only married Albert out of duty but continues to love Werther without admitting it to herself and even less to him. The young man despairs at seeing his advances rejected and will not taste the love that the young woman comes to confess too late. Adapted from Goethe's novel, Jules Massenet's opera Werther is a jewel of French lyric repertoire. Opéra Orchestre National Montpellier Occitanie shares the sober and elegant staging by Bruno Ravella – his Rosenkavalier was recently enjoyed on OperaVision – and invites the famous Canadian contralto Marie-Nicole Lemieux to sing Charlotte for the first time, alongside a young and almost exclusively French-speaking cast conducted by Jean-Marie Zietouni. Streamed on OperaVision on 24 December 2021 at 19:00 CET and available until 24 June 2022: https://operavision.eu/en/library/per... CAST Werther: Mario Chang Charlotte: Marie-Nicole Lemieux Albert: Jérôme Boutillier Le Bailli: Julien Véronèse Sophie: Pauline Texier Schmidt: Yoann Le Lan Johann: Matthias Jacquot Kätchen: Emma de La Selle Brühlmann: Léo Thiéry Maid: Lisa Martin Children: Gabriel Bertrand, Marina Gallant, Charlotte Gleize, Naomi Renoir, Brunelle Sauvegrain, Nina Sauvegrain Chorus: Chœur Dames Opéra national Montpellier Occitanie Orchestra: Orchestre national Montpellier Occitanie Music: Jules Massenet Text: Édouard Blau, Paul Milliet, Georges Hartmann Conductor: Jean-Marie Zeitouni Director: José Darío Innella, original staging by Bruno Ravella Set Designer: Leslie Travers Costume Designer: Leslie Travers Lighting Designer: Linus Fellbom Stage director assistant: Diane Clément Production manager: Xavier Bouchon Stage managers: Mireille Jouve, Anaïs Pélaquier Chorus manager: Maya Lehec

Richard Clayderman - Christmas Medley (2021)

A special Christmas message from Richard Clayderman together with a live performance of Richard's new 'Christmas Medley'. 0:00 - Message from Richard 0:40 - 'Christmas Medley' Richard's Message: "Hello everyone, As we approach the end of 2021, I firstly wanted to wish you a very Merry Christmas and a Happy New Year for 2022. Of course, I miss you all and hope that, very soon, I will see you again at my concerts. Unfortunately, we continue to be affected by Covid-19, but I am sure that we will win against this terrible virus and it will disappear forever from our beautiful planet. In the meantime, I have chosen to perform a special Christmas Medley full of joy and happiness, just for you. Take care and best wishes from the bottom of my heart. See you soon, Richard" Listen to Richard Clayderman: Spotify: https://richard-clayderman.lnk.to/soc... Apple: https://richard-clayderman.lnk.to/soc... Amazon Music: https://richard-clayderman.lnk.to/soc... YouTube: https://richard-clayderman.lnk.to/soc... Subscribe to the official Richard Clayderman YouTube channel: https://richard-clayderman.lnk.to/soc... Follow Richard Clayderman: Facebook: https://richard-clayderman.lnk.to/soc... Twitter: https://richard-clayderman.lnk.to/soc... Instagram: https://richard-clayderman.lnk.to/soc... Website: https://richard-clayderman.lnk.to/soc... Spotify: https://richard-clayderman.lnk.to/soc... 'Christmas Medley' Arranged by Marc Minier #RichardClayderman

Música suave, calma el sistema nervioso y agrada el alma - música curati...

Sinfonía N°9 Gustav Mahler - Gustavo Dudamel - Sinfónica Simón Bolívar

Concierto en el Teatro Mayor Julio Mario Santo Domingo de la ciudad de Bogotá, Colombia el día 3 de julio de 2014, dentro del programa de la gira latinoamericana Colombia-Brasil 2014 de la SSB del El Sistema

El telescopio Webb, lanzado al espacio

 Con éste telescopio veremos lo nunca visto. Avanzamos a pasos de gigante. Lo qué no quieren los nostálgicos ni retrógrados jl

편안한 크리스마스 캐롤 음악 + 노래가사 | 8시간 | 조용하고 편안한 연주음악 | 아늑하고 차분한 음악

Beethoven: Symphony No. 3 'Eroica' | Michael Boder & ORF Vienna Radio Sy...

It is one of the most popular symphonies ever: Ludwig van Beethoven’s Symphony No. 3 in E-flat major, Op. 55, also called Eroica. Here it is performed by the ORF Vienna Radio Symphony Orchestra conducted by Michael Boder at the Beethovenfest Bonn 2021 at the World Conference Center Bonn (WCCB). (00:00) Symphony No. 3 in E-flat major, Op. 55, Eroica (00:36) I. Allegro con brio (17:38) II. Marcia funebre (Adagio assai) (30:18) III. Scherzo (Allegro vivace) (36:03) IV. Finale: Allegro molto - Poco andante – Presto Ludwig van Beethoven (1770 - 1827) began planning his Symphony No. 3 in the fall of 1802, composing most of it in 1803, and probably not completing it until early 1804. The private premiere happened in the same year. The first public performance took place on April 7, 1805 and was conducted by Beethoven himself. Because of the epithet ‘Eroica’ (the Heroic one), Beethoven’s third symphony is commonly linked to Napoleon. However, Beethoven’s relationship to Napoleon was rather ambivalent: on the one hand, he was fascinated by Napoleon’s ideals, but at the same time he was deeply repelled by the fact that he had proclaimed himself emperor. Later, however, Beethoven is said to have revered Napoleon. His ambivalent attitude is also evidenced by the addition of the words “written on Bonaparte” to the copy of the score, which he initially erased, but later added in again. It is also unknown, however, who the hero could be to whom Beethoven dedicated the Eroica with the words “Sinfonia Eroica composta per celebrare la morte d’un Eroe”. Researchers doubt that he could have meant Napoleon. Whatever the case, Beethoven dedicated his third symphony to a hero whose funeral he commemorates in the second movement with a brilliant funeral march and who he resurrects triumphantly at the end of the fourth movement. Perhaps it is precisely this range of emotions, from serious, deepest mourning to joyfully enthusiastic exaltation that makes Beethoven’s Eroica so appealing.