Elton John, presentacion realizada el jueves 28 de febrero en el escenario de la Quinta Vergara, Festival de Viña del Mar 2013.
Todos los Derechos Reservados Red Televisiva Chilevision S.A.
1.The Bitch Is Back (0:00:02)
2.Bennie and the Jets (0:04:24)
3.Tiny Dancer (0:11:00)
4.Goodbye Yellow Brick Road (0:17:42)
5.Philadelphia Freedom (0:21:08)
6.Rocket Man (I Think It's Going to Be a Long, Long Time) (0:26:23)
7.I Guess That's Why They Call It the Blues (0:33:17)
8.Daniel (0:38:48)
9.Sad Songs (Say So Much) (0:42:59)
10.Don't Let the Sun Go Down on Me (0:48:02)
11.Candle in the Wind (0:54:22)
12.I'm Still Standing (0:58:17)
13.Crocodile Rock (1:07:49)
14.Saturday Night's Alright for Fighting (1:12:16)
15.Your Song (1:17:52)
martes, 25 de julio de 2023
Brahms: Symphony No. 1 | Charles Dutoit & the Verbier Festival Orchestra
A symphonic classic played by young musicians: Brahms‘ Symphony No. 1 is performed by the Verbier Festival Orchestra under the baton of Charles Dutoit. The concert took place during the Verbier Festival in the year 2014.
00:00 Coming on stage
00:12 Un poco sostenuto – Allegro
14:14 Andante sostenuto
23:13 Un poco allegretto e grazioso
27:59 Adagio – Allegro non troppo ma con brio
“Beethoven’s 10th” – was how Brahms’ champion Hans von Bülow described the first symphony by Johannes Brahms (1833 – 1897). And that’s a huge compliment, as the symphonic genre had reached a zenith after Beethoven’s Ninth, which could just as easily have been an end point. Johannes Brahms’ first symphony was by no means an easy birth: he worked for a total of 14 years on the composition; he was 43 years old when he finally completed it. Initially, Beethoven’s powerful symphonic legacy was an impediment for Brahms: "I’ll never compose a symphony! You can’t have any idea what it’s like always to hear such a giant marching behind you." Words written by Brahms in 1870 to his friend, the conductor Hermann Levi. But with time, that giant turned out to be an inspiration and ultimately, with the composition of his first symphony, Brahms managed to set himself apart from Beethoven and to a certain extent, even overcome his gargantuan legacy. Meanwhile Brahms’ antipode Wagner postulated that the symphony genre was finished and turned his attentions to musical drama. Franz Liszt, on the other hand, pursued a programmatic development of the symphony into what became known as the symphonic poem. Thus, Brahms became Beethoven’s true heir. Brahms’ Symphony No. 1 in C minor Op. 68 is bursting with references to Beethoven. These were also certainly intended as nods of appreciation, but ones that should first and foremost be heard. For example in the final movement there are clear shades of the Ode to Joy theme from Beethoven’s Ninth: “Any jackass can hear that!” remarked Brahms.
The concert was performed during the 2014 edition of the Verbier Festivals, seen as a top international gathering of classical music stars. The festival has been taking place every year in the Swiss Alps since 1994. As well as staging a varied concert program, the Verbier Festival also provides upcoming artists with the opportunity to work with major names in the world of classical music. The Verbier Festival Orchestra is made up of highly talented young musicians and was founded in the year 2000. The festival also gives young performers the chance to gain live concert experience under the guidance of leading conductors.
During the course of his long professional life, the conductor Charles Dutoit (born in Lausanne, Switzerland in 1936) has led more than 150 orchestras – making his a superlative musical career. He began conducting the Canadian Orchestre Symphonique de Montréal in 1977 and went on to record more than 80 CDs with the ensemble. He’s seen as particularly open to performing pieces of music that seldom get a hearing. Following metoo allegations against him in 2018, several orchestras severed all ties with Dutoit.
lunes, 24 de julio de 2023
Domingo 23/07/2023. Papa Francisco. Vaticano. Mensaje de la Palabra de h...
El director de orquesta colombiano Andrés Orozco entrevistado por Jordi ...
Grabación del programa de Jordi Batallé con el director de orquesta colombiano Andrés Orozco Estrada en los estudios de RFI en París.
Holst: Die Planeten ∙ hr-Sinfonieorchester ∙ Hugh Wolff
Gustav Holst:
Die Planeten op. 32 ∙
Suite für großes Orchester ∙
I. Mars, der Bringer des Krieges 00:00 ∙
II. Venus, die Bringerin des Friedens 07:42 ∙
III. Merkur, der geflügelte Bote 15:28 ∙
IV. Jupiter, der Bringer der Fröhlichkeit 19:42 ∙
V. Saturn, der Bringer des Alters 28:01 ∙
VI. Uranus, der Magier 36:53 ∙
VII. Neptun, der Mystiker 42:41 ∙
hr-Sinfonieorchester – Frankfurt Radio Symphony ∙
Vokalensemble ∙
Tilman Michael, Einstudierung ∙
Hugh Wolff, Dirigent ∙
hr-Sinfoniekonzert ∙
Alte Oper Frankfurt, 10. Februar 2023 ∙
domingo, 23 de julio de 2023
TV Lourdes - Le Sanctuaire de Lourdes en direct.
300 CHOEURS CHANTENT LEURS PLUS GRANDS TUBES
Lancée en 2011, « 300 Chœurs » est devenue en dix ans l'une des émissions musicales incontournables des divertissements de France 3. Un show qui réunit toutes les générations ! Ce sont des enfants… Des femmes… Des personnes âgées… Des étudiants… Des militaires… Des voix classiques… des Gospels… « 300 Chœurs » permet à de nombreuses chorales amateures de chanter avec les plus grandes stars de la chanson… Ensemble, elles reprennent les tubes d'hier et d'aujourd'hui dans des versions inédites, arrangées spécialement pour l'occasion… L'émission n'a pas d'animateur. Ce sont les artistes eux-mêmes qui présentent l'émission et qui introduisent les chansons qu’ils vont reprendre avec les chœurs. Chaque épisode propose une thématique différente… Musique, Générosité, authenticité… « 300 Chœurs » est l’émission de toutes les voix…
Mussorgskij/Ravel: Bilder einer Ausstellung ∙ hr-Sinfonieorchester ∙ Ala...
Modest Mussorgskij/Maurice Ravel:
Bilder einer Ausstellung ∙
I. Promenade 00:00 –
Der Gnom 01:36 ∙
II. Promenade 04:05 –
Das alte Schloss 05:02 ∙
III. Promenade 09:27 –
Die Tuilerien 09:56 ∙
IV. Der Ochsenkarren 11:01 ∙
V. Promenade 13:56 –
Ballett der Küken in ihren Eierschalen 14:37 ∙
VI. Samuel Goldenberg und Schmuyle 15:56 ∙
VII. Der Marktplatz von Limoges 18:26 –
Die Katakomben (römische Gruft) 19:45 –
Cum mortuis in lingua mortua 21:42 ∙
VIII. Die Hütte der Baba-Jaga 23:39 –
Das große Tor von Kiew 27:04 ∙
hr-Sinfonieorchester – Frankfurt Radio Symphony ∙
Alain Altinoglu, Dirigent ∙
hr-Sinfoniekonzert ∙
Alte Oper Frankfurt, 25. November 2022 ∙
sábado, 22 de julio de 2023
El artista puertorriqueño Celestino Ortiz en el Salón de Arte Abordable ...
El artista puertorriqueño Celestino Ortiz acaba de presentar su trabajo en el Salón de Arte Abordable que ha tenido lugar en Saint Mandé, localidad aledaña a París.
Naturalmente ha estado con Jordi Batallé en El invitado de RFI acompañada por la curadora de exposiciones Adriana Silva para contárnoslo.
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