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It’s regarded as the work in which the full depth and magic of Johann Sebastian Bach can be found: the Ciaccona; fifth and final movement of the Partita in D minor for solo violin, BWV 1004. Here Bach's chaconne is played by violinist Viktoria Mullova at a 1999 concert in the Nikolaikirche, Leipzig.
Johann Sebastian Bach (1685-1750) composed the Partita No. 2 in Köthen, 1720. He had returned home after a long period of official travel to learn that his wife had passed away during his absence – and had already been buried. Research disputes whether his second partita, and in particular its fifth movement – the Ciaccona – is a testament to Bach's personal grief. Regardless, the Ciaccona occupies a special position within Partita No. 2: It’s longer than the previous four movements combined, thus disrupting the balance of the suite.
In purely formal terms, the Ciaccona also plays against type. It is based on a sombre figure in the bass voice – repeated a total of 32 times, as if circling about itself – while the melody moves freely across just as many variations. Bach’s take on the chaconne – traditionally a rather cheerful dance in a major key – is a complex set of variations beginning in D minor, shifting into major for ten variations at its heart, before switching back into minor.
Renowned violinist Yehudi Menuhin has said of Bach's Ciaccona that it is the greatest form in existence for solo violin. From a technical standpoint, the Ciaccona is one of the most difficult pieces in the violin oeuvre. The profound, virtuoso piece was disregarded for a long time before being rediscovered, as it were, by Robert Schumann, who furnished it with piano accompaniment. Since then, Bach's Ciaccona has been transcribed for numerous instruments.
This performance took place at a commemorative concert held on October 9, 1999 – exactly ten years after the ‘Monday Demonstration’. On October 9, 1989, some 70,000 citizens overcame their fear of the authoritarian regime to demonstrate for freedom and more democracy in Leipzig – the second largest city of former East Germany. The peaceful, large-scale demonstration is considered a key historical moment which, in combination with other events, led to the fall of the Wall one month later, on November 9., 1989
Las cosas qué salen de algunos hombres son malas. De Dios salen cosas buenas. Cuando surgió el SIDA dijeron: castigo de Dios a los homosexuales. Cuando surgió el covid-19 castigo de Dios. Yo nunca me atreveré decir lo qué hace y deja de hacer Dios. Cada día qué pasa veo más claro que ese virus inteligente se fabricó en el laboratorio de alta tecnología de Wuham en China inventores de la pólvora. Y aquí estamos muriendo a mansalva gracias a los chinos. Y la Humanidad aprovechándose del silencio de Dios jl
El realizador chileno Juan Cáceres y gracias al éxito de su película ‘Perro Bomba’ estrenada en más de 20 países, está realizando una residencia en el Festival de cine de Cannes, gracias a la cual está preparando su nueva película que ya tiene título: Kaye.
En vísperas de la Noche de las ideas, nos ha dado sus propuestas la peruana Zoila Hernández Aguilar quien ha pasado muchos años trabajando para mejorar la situación de las mujeres del Perú andino.
. La ortodoxia de las iglesias y la ortodoxia de Dios no tiene nada qué ver. Dijo Dios 🙏"El qué esté libre de pecado que tire la primera piedra". Yo le digo a esté obispo: lo que Vd me está diciendo es qué los gay y lesbianas están de por vida en pecado mortal y los hetero son unos santos de por vida. Para mí las palabras de esté obispo tiene el mismo paralelismo qué los qué llaman a los gay y lesbianas enfermos mentales. Vergüenza les debía de dar y no son ningún ejemplo con todos los casos de pederastia de gente de sus filas. Son palabras de jl y es mí responsabilidad.
A musical journey across time: The 500th anniversary of the Château de Chambord was celebrated with an extraordinary 2019 concert. Under the artistic direction of Christophe Rousset, Les Talens Lyriques and other internationally renowned musicians and ensembles perform 29 selected pieces of music, the oldest dating from 1519 – the year in which construction began on the magnificent Loire castle.
Alongside the music, the magnificent chateau serves as a participant in this concert compilation. From the interior rooms to the rooftop terrace, the picturesque setting of the château conjures an atmosphere in which the music selection – performed on period instruments – feels as if it is authentically being played in days long past.
It’s only with the final piece of this promenade through the history of music –Debussy's Claire de Lune – that one is deposited back in the present; or perhaps magicked away entirely to the heavenly spheres.
