miércoles, 17 de noviembre de 2021
Charlie Chaplin at home in Switzerland, 1973 (from "The Gentleman Tramp")
• Beautiful rare footage of Charles Chaplin and his wife Oona at their home, the Manoir de Ban in Corsier-sur-Vevey, Switzerland, in 1973 from Richard Patterson’s documentary The Gentleman Tramp (1975) with Walter Matthau. © Roy Export Company Limited
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martes, 16 de noviembre de 2021
La Europa judía de hoy (1/2) | DW Documental
¿Cómo viven y sienten los judíos en la Europa de hoy? ¿Qué historias cuentan? ¿Cómo aúnan tradición y modernidad? Y ¿cómo afrontan la discriminación y las amenazas?
"Hay una cotidianeidad judía en Europa que no suele mostrarse. Debates sobre política, Oriente Medio y antisemitismo eclipsan la diversidad de la vida judía. Por eso, era importante que empezáramos a reflejarla echando un vistazo espontáneo a esa realidad". Con este propósito, se lanzaron a un viaje por Europa el periodista suizo Yves Kugelmann y la productora de cine alemana Alice Brauner, ambos judíos.
La primera de las dos partes del documental lleva a Brauner y Kugelmann a Marsella, Estrasburgo, Fráncfort y Berlín. Con Harold Weill, el Gran Rabino de Estrasburgo, hablan sobre la vida en el barrio judío. ¿Se sienten él y su comunidad amenazados? Alon Meyer, presidente del club de fútbol multicultural TuS Makkabi Frankfurt y presidente de la federación deportiva judía Makkabi Deutschland, detalla la hostilidad que su equipo sufre fuera de los terrenos de juego. Posteriormente, Yves Kugelmann y Alice Brauner se encuentran en Berlín con la dramaturga y escritora Sasha Marianna Salzmann.
lunes, 15 de noviembre de 2021
Florencia Giordana Braun, ‘Pensar todo de nuevo’ en París
La argentina Florencia Giordana Braun, directora de la Galería Rolf Art de Buenos Aires, acaba de inaugurar la exposición ‘Pensar todo de nuevo’ en la Galería Argentina de París.
Naturalmente ha estado con Jordi Batallé en El invitado de RFI para presentárnosla.
Johann Sebastian Bach: Brandenburg Concerto No. 6, BWV 1051 | Orchestra ...
What makes Johann Sebastian Bach’s 6th Brandenburg Concerto special is its darker, almost mysterious sound. This comes from the special instrumentation, which does entirely without high strings and wind instruments. Instead, violas, viols, cellos, double bass and harpsichord alone fill this sixth of the Brandenburg Concertos.
In keeping with the reduced size of the Orchestra Mozart, Concerto No. 6 is performed without a conductor. Claudio Abbado conducted the other five Brandenburg Concertos on this concert evening, but he steps aside for the sixth, leaving the stage of the stylish Teatro Municipale Valli entirely to the seven musicians – and his outstanding chamber orchestra elegantly brings the well-known Baroque concerto to life.
The Brandenburg Concertos (BWV 1046–1051) by Johann Sebastian Bach (1685 – 1750) are a collection of six instrumental works that Bach dedicated to Christian Ludwig, Margrave of Brandenburg, in 1721. They are regarded as some of the best orchestral compositions of the Baroque era. The concerts were, however, likely composed between 1718 and 1721, for Bach’s Köthener Hofkappelle. Bach’s original title, Six Concerts with Various Instruments, describes exactly what is special about these concerts; the varied use of several instruments – with different strings, wind instruments, or solo harpsichord for the concertini.
Orchestra Mozart:
Danusha Waskiewicz – Viola
Simone Jandl – Viola
Rainer Zipperling – Viola da gamba
Sabina Colonna Preti – Viola da gamba
Enrico Bronzi – Cello
Alois Posch – Violone
Ottavio Dantone – Harpsichord
00:03 I. Allegro
06:00 II. Adagio ma non tanto
10:47 III. Allegro
domingo, 14 de noviembre de 2021
Bach: Sonata for Violin and Piano in F minor, BWV 1018 | Frank Peter Zim...
Frank Peter Zimmermann (violin) and Enrico Pace (piano) perform Johann Sebastian Bach's Sonata in F minor, BWV 1018 in the impressive Baroque setting of Polling Monastery’s over 300-year-old library, in the year 2008.
Bach composed his six sonatas during his time in Weimar and Köthen (1708 - 1723). They are considered the first violin sonatas in the history of music in which the keyboard instrument does not merely provide chordal accompaniment, but functions as an equal partner to the violin.
The sonata in F minor is thought by many to be the most profound of Bach’s six sonatas for violin and harpsichord. The opening of the first movement recalls Bach’s famous church cantata Ich will den Kreuzstab gerne tragen (Kreuzstabkantate), and is followed by a mesmerising Allegro, and Adagio. Finally, the sonata closes in the same despair with which it began, ending on a restless Vivace.
German violinist Frank Peter Zimmerman is one of the world’s greatest violinists. His numerous recordings have seen him receive countless prizes. Italian pianist Enrico Pace has accompanied Zimmerman on the piano since 1998. Together, they here play the fifth of Johann Sebastian Bach’s six sonatas, originally composed for violin and harpsichord.
00:30 I. Largo
06:36 II. Allegro
10:34 III. Adagio
15:30 IV. Vivace
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